Much like a quark, this book is small yet packed with the powers to either grip or unravel the universe.
Oliver, Mary. A Poetry Handbook. New York: Harvest, 1994. Print.
Genre: nonfiction (craft book)
Summary: Winner of the National Book Award and Pulitzer Prize, and all-around linguistic seductress Mary Oliver shares her insights on the nature and construct of poetry, language, and the communication that takes place beneath the words on the page.
Critique: Like her poetry, Oliver’s handbook is brief, to-the-point, and powerful. She gets right the to point and does not dilly-dally with a lot of rhetorical set-up or explanatory embellishments, as the typical poetry textbook or writing craft book might. Her examples are salient. The writing is unquestionably clear.
Writers equipped with this text will gain invaluable lessons including: the difference between a rock and stone as implied by their phonics rather than their geology; the Romeo and Juliet love affair that is the writing process, a drool-inducing analysis of Robert Frost’s poetry; the liquids and mutes of the English language and how they can combine effectively; and one of the clearest explanations I have ever found on poetic construction, from scansion to stresses, from meters to feet.